David Antolak/Portfolio
01.
02.
03.
04.
05.
06.
07.
08. Peacock Travel
Dita Koubek
VELUX
FLS
Smoulder
ADHD Foreningen
The Museum of Art & Photography Bengaluru,  Young Cannes Lions
CIP

01.Peacock Travel

2025
Digital

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02. Dita Koubek

2026
Digital

Launching soon

03. Velux

2024
Digital

For VELUX, I worked on designing a digital platform to showcase their sustainability initiatives. The goal was to create a user-friendly and visually engaging website that can house their sustainability reports and highlight their commitment to environmental responsibility while making key information easy to navigate and understand. The result was a polished and intuitive platform that effectively communicates their efforts to stakeholders and the public.

04.FLS

2024 Digital

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05. Smoulder

2020
Brand



Smoulder began as a pandemic project, transforming a shared hobby into a company. Drawing on skills from Hyper Island and combining skills in graphic design and project management, the result was a playful, millennial-focused candle brand centered on beeswax as its primary ingredient. For Smoulder, I took charge of the brand’s creative and strategic direction, overseeing product photography, social media assets, and website design to establish a vibrant and cohesive brand presence.

06. ADHD Foreningen

2024 Brand

YCCA Shortlisted

For YCCA 2024, me and my teammate and colleague Ester Mihok created an identity designed to challenge stereotypes, educate, and inspire, fostering a more inclusive narrative around ADHD. The resulting visual identity is bold, dynamic, and multifaceted, reflecting the vibrancy and diversity of the ADHD community. 

07. The Museum of Art & Photography Bengaluru

2025 Brand

Young Cannes Lions

MAP (Museum of Art & Photography), Bengaluru, is dedicated to making art accessible and relevant to a wide audience. This project was developed as a Young Cannes Lions competition entry, created in response to a 24-hour brief for MAP’s 2026 exhibition. 

The exhibition explores the evolution of Indian sequential art, from ancient painted scrolls to contemporary graphic novels and memes. 

Comics are often perceived as a Western and child-centric medium. The challenge was to reposition comics as a deeply rooted Indian storytelling form, balancing academic credibility with a playful, contemporary expression across both physical and digital formats, through a flexible identity that could reclaim comics as a serious cultural and historical form, while remaining engaging and accessible to modern audiences.

The identity is built around the comic strip not as a visual style, but as a structural system. Drawing from panels, grids, gutters, and caption-like typography, the design mirrors the exhibition’s narrative logic, unfolding frame by frame across time. A heritage-inspired colour palette, refined for digital use, connects historical references with contemporary relevance, creating a unified and adaptable visual language. Presented on a classic Cannes-board.

08.CIP

2022
Digital

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